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When a reviewer has the words "one of the worst albums to review", as the title of his review, it can tend to peak your curiosity concerning the album in question. Such was how I got introduced to "Sleepless Street", the Sophomore release by an Irish singer-songwriter by the name of Peter Doran. Peter Doran started his love of music at the young age of 11, encouraged in part from the fact that his family, immediate or otherwise, had already been bitten by the music bug. For a few years, shredding on the old guitar was his complete passion, but thankfully for us something changed where he became more interested in the essence of music then the speed it was delivered in. In 2006, critical acclaim came knocking on his door with the release of his Debut Album, "Wood", which was referred to as "a rich collection of startlingly mature songs". In fact one of the leading music publications even heralded it as "“an admirable debut that should open doors and minds.”. Now with the release of "Sleepless Street", I was curious if Peter Doran was able to shake off the monkey on many Artists backs, referred to as the Sophomore Jinx. Well I must say it did not take long to figure out that there indeed was no worry about a Sophomore Jinx here, in fact the only worry about this Album was all the other competition out there, that must have been shaking their heads wondering how Doran could once again come up with such an engaging, relevant, and poetically beautiful work of art. "Sleepless Street", is an album that does not need to be dissected, song by song in order to figure out whether the end result is of merit. One need only listen to it, song by song, to see it's importance and how it soars above todays to much humdrum bubble gum world of music. It is an Album that does not rely on the practice of fancy hooks to draw you in, as its merit lays in each line of each verse of each song, creating a gentle cohesiveness of structure similar to a well written novel. "Sleepless Street" is quite seriously, one of those pieces of artistic integrity that will stand up to the test of time and have many talking about it in much more meaningful terms than can be expressed by how big of a hit it might or might not be. It comes to us with texture and leaves us with substance, something many artists out there today could learn from. As for that reviewer who said "Sleepless Street" was "one of the worst albums to review", he was absolutely right as this is an Album you would rather be listening to then reviewing. As far as the Genre of Folk Music is concerned I highly doubt that any other offering this year can hold a candle to "Sleepless Street". It is an Album I Highly Recommend... Review By John Vermilyea (Blues Underground Network) Info And Reviews “Sleepless Street” is the second album from Irish Indie-folk songwriter Peter Doran. The album has been almost two years in the making, and will be released digitally world-wide on July 23rd 2010. Tracklist
1. Hunter's Sketches 3:29 Listen To Music Here... nbt independent music – Sleepless Street Review (See original review ) We are welcomed into this world with an earthy jolt of fierce blues. The ‚‘Hunter’s Sketches‘are frantic even nervous, the seductive unease as the beautiful breakdown approaches. Then the calm, a vision of the serene holy that can be found in the ordinary, if you have soul for it, and this wistful regret (oh how memories shine different now) envelops the listener. But don’t dare get used to the intimate only, the next song strives for epic, a sort of personal adventure set against a vast landscape Conor Oberst does so very well layered subtle upon a heartbreaking melody that once heard is never lost. ‘Eternity’, is exactly the right name for this. He constructs a gentle swing, a love song simply (complicated), about the strength of love, then old fashioned piano ballad, with a skill an equal to those old Carpenters’ tracks composed by Paul Williams. Note here must be made of the soulful minimal production by Filippo Gaetani, never overusing orchestration, always adding just the right touch of drama and emotion. To those who often cry out, ‘they don’t make them like they used to’ when whining about how good the folk pop song was back in the day, just listen to ‘The Composer’ or indeed, any of these tracks, these are creations that will be equally at home nestled in the mainstream charts, or that romantic couples private playlist. But if I have given the impression that this is gloss, forgive me, because there is a wounded rawness at the heart of this, a frazzled moody Phil Ochs ghost wandering the chords and the choruses. It’s just that Doran doesn’t need to be strident to get his thoughts across, his song writing is sincere and pure. Leaving the very best till last, the title track, the love letter to a difficult child woman, the allure of the leaving the sane path, the way some people cannot be touched, even when we so wish to, cause they thrive in their difference. This song haunts and touches and completes a tantalizing set. Ciarán Reinhardt for Pop Culture Review Sophomore albums are a bit of a crunch point for everyone involved. Will it live up to the first? Will it succeed? Will it falter, and we can now write them off as yet another one album wonder? It’s all a little overwhelming for a lot of artists, and the sophomore slump can usually be attributed to the fact that they’ve spent much more time writing and perfecting the first record than its follow up. Peter Doran released Sleepless Street, his follow up to 2006's Wood, in physical form on September 10th. Firstly, just looking at the album, Pop Culture Monster must note the wonderful album art throughout. The hand-drawn cartoons are absolutely brilliant and give a real sense of what the album is about. The opener Hunter’s Sketches kicks off the album with a strident, rock inspired, pumping track which doesn’t so much set the tone as it’s followed by the more mellow, Mic Christopher sounding Sacred Place which is quite radio ready. The track Pathways could be a David Gray circa White Ladder era track, and is one of the more lyrically arresting of the whole album. The guitar riff is catchy and the more mellowed use of the cello works to its advantage. If this isn’t a single, Pop Culture Monster will eat his own paw. When You Can is a beautiful lullaby. It has an air of a Christine McVie penned tune about it. A twinkling piano melody, salient cello accompaniment, reserved emotion filled vocals and beautiful lyrics all contribute to a song that, although won’t transfer outside an album, really stands out for Pop Culture Monster. Twisted Freak harnesses Peter’s blues folk songwriting, and is one of the less polished tracks on the album which adds really well to the feel of the track. Even Peter’s vocals seem a little more gruff. The title track Sleepless Street comes right at the end, and runs just over an epic 7.5 min. I thought just looking at the length of the track that it would be one of those filler tracks that you skip over because they drone on and on and… it’s anything but. It’s a stunning, harrowing ballad about a girl called Allison. It’s one of the most lyrically beautiful songs Pop Culture Monster’s heard in a while. And everyone knows, if you can keep Pop Culture Monster interested for a full 7mins, you’re on to a winner. I can’t help but draw comparisons to Mic Christopher with this album, albeit a lot more polished. We’ve had a distinct lack of male folky singer-songrwiters that don’t suck in the last couple of years. It’s time for someone to hold the flame alight for the future, and Peter is Pop Culture Monster’s firm favourite for the distinction. Overall this is a beautifully crafted album, with stunning instrumentation throughout which serves as a backdrop to Peter’s wonderfully emotive vocals. A highly commendable second album that will be on constant rotation on Pop Culture Monster’s iPawed. Sleepless Street is a twelve-track album by Irish singer/songwriter, Peter Doran. When Peter contacted me regarding writing a review, I confess I had not heard of him before. I checked out his website, thoroughly looked forward to reviewing Sleepless Street, and thought it would be simple. I was wrong. Sleepless Street is the worst album to review. Let me reveal why Sleepless Street is the worst album I have ever reviewed… Hunter’s Sketches kicks Sleepless Street off brilliantly. It is a great rock sound. For some reason, I was expecting something softer, so this was a pleasant surprise. I adore the chorus: “and I am content oh yeah, to sit back and watch you hunt and from a distance gather sketches of my love” This chorus sends a chill through me – a sign of great vocals, lyrics and music. Peter writes real and deep lyrics. There is no cheap attempt at rhyme here. When you listen to Hunter’s Sketches you will understand what I mean when I write that Peter spent time on his lyrics, he is a poet and takes us on a journey and fantasy. Peter’s vocals are solid, with a mix of rugged and smooth, which you do not get very often. The opening line, ‘I’m living in a sketched out version of my future’ is great because I think you, like me, can relate to that. I love an artist who speaks to me. Sacred Place is a lot softer than Hunter’s Sketches but it fits into the package. There is no sudden change that can be unwelcome. Peter displays his mix of rugged, smooth and fragile vocals in Sacred Place very well. Yes, Peter’s beautiful lyrics have hooked me but I love words, stories and imagery, which he creates just perfectly. “and you were leaning into shafts of sunlight, you were lit up like a real life saint, you were glowing like a holy icon in a sacred place” Have you ever read anything so beautiful? You need to hear Peter singing these lines because it is just magical. He truly is a poet. When he ends Sacred Place, there is an air of sadness in his voice. He sounds like he is close to tears. It is almost like regret, as if he is remembering a time when he was in love. I actually felt a little sad and fell deep into thought about my own past love that I lost. The music is just perfect for setting that mood. Peter is a natural artist. A simply perfect song and you must listen to it. Eternity is one of the most beautiful songs I have ever had the pleasure to hear. Peter’s voice hits the mark yet again. His voice is certainly designed for this type of song. That rugged, smooth and fragile air of sadness is back and it is exquisite. Yes, Eternity sent many chills over me. The lyrics are just stunning. The music is so peaceful and at a gorgeous and rich pace. Eternity is the type of song you would listen to with some candles lit, the fire keeping you warm and a nice glass of wine on a December evening when you are taking time out just to be alone and at peace. Peter’s vocals and music would add to that peace rather than spoil it. After listening to Eternity many times, I am so relaxed I hardly know what else to write other than this song is perfection itself. Abstract Man is very vocally dominant and is all about Peter’s voice, which is definitely a joy to hear. When the music does pick up and kick in it sits perfectly with the rugged but slightly fragile sound of Peter. Yes, I am writing the same thing as I have for the others but then Sleepless Street follows a set pattern and is a cohesive package. Moan and Complain is a beautiful piano piece. Peter manages to make a good song using just his vocal skills and a piano. Pure and rare talent. Sleepless Street is winding down to its conclusion and I personally think that it is clever how the music represents that. I am expecting the final track to be very slow and dreamy.
Sleepless Street is the final track and
brings the album to a quiet and beautiful end. Yes, it is both slow and
dreamy. Peter’s voice is very fragile and soft in this track. The lyrics
are everything in Sleepless Street and not to listen to every word is a
crime. Peter is telling you a story and taking you on a journey with him.
I fell into the world of Alison (the character from the song); I got
chills over me and felt a little sad about her adventure. You will hear
about nail-biters, mathematicians, monsters and wild-eyed I cannot think of another artist who writes lyrics like Peter Doran. The spirits of those great Irish poets must be with Peter when he creates. Sleepless Street is 7:31 long but for me that is still not long enough. I was sad to hear Sleepless Street end and to have to return to reality. Forget that, I just hit play and returned to the magical world of Peter Doran. Worst Album to Review Okay, so why did I state Sleepless Street is the worst album to review. Simply because when you are listening to this great musical/poetic creation the last thing you want to do is think about writing or reviewing it. All you want to do is kick back and enjoy the wonderful world that is Peter Doran’s magical creation. Several times, I found myself drifting off and forgetting that I was actually working on a review. No other album has been this tough to review. Sleepless Street is more than just a musical creation. It is a journey, fantasy, emotion, poetry and simply superb. I have listened to many good albums but Sleepless Street is beyond that. I add few albums to my personal collection but Sleepless Street and the deep and poetic world of Peter Doran will be staying with me. The music of Sleepless Street is so crisp, smooth and professionally created. I cannot find fault with one track and all are a joy to hear. Peter’s vocals are a great solid mix of rugged, smooth, fragile, deep and heavily emotional. Peter is clearly an artistic, emotional and deep talent. He makes every song different, exciting and a pleasure to hear. Peter feels and means every word he utters. Peter contacted me and asked if I would review Sleepless Street, well, I am pleased and honoured that he did because this has been a pleasure for me to do. I highly recommend you checking Sleepless Street out yourself and getting your own copy. You will not be sorry you did. In addition, with Christmas just around the corner, Sleepless Street would make the perfect present for someone you love. More Reviews Here... About Peter Doran Sleepless Street is a place that’s deep underground. A subterranean lane populated with Fellini-esque all-night partiers, insomniac artists looking for the truth, and mathematicians feverishly working out their infinite equations. It’s a constant carnival of fireworks, revelry, and telephones that ring ceaselessly. But, naturally, this surreal street doesn’t exist in the real world. It’s an imagined place, one that lives in the clouded mind of Allison, the confused young girl who inspired the title track to Dublin singer-songwriter Peter Doran’s superbly crafted second album. Which must mean, then, Allison doesn’t really exist, either—or does she? “Sort of,” says Peter, 26. “She’s someone I half knew and half invented. ‘Sleepless Street’ is about a girl who discovers this whole hidden bohemian world and ends up falling in with a bad crowd, doing drugs, all of that. But, in the song at least, she gets out okay in the end.” The track carries Peter’s tender voice over a flowing canvas of shimmering guitars and soft drums, and floats by like a rambling dream, an epic poem full of vivid vignettes. Of course Ireland is the land of poets—Swift, Yeats, Wilde, Joyce; the latter writer even spent time in Peter’s hometown of Mullingar. “That tradition makes for a good background to be from, though it isn’t really something I think about,” Peter says. “But I do like reading and, especially, good songwriting. Bob Dylan, Tom Waits, Neil Young—that’s the Holy Trinity for me.” And it’s a fair guess that those giants would be well pleased by the songs on Sleepless Street. Songs like the cello-laced “Someone Else’s Heart,” a fragile tale of miraculous rescue from the brink of death; and the rocking opener “Hunter’s Sketches,” in which the artist-narrator reaffirms his resolve for his craft. Peter’s been honing his own craft since age 11, when, inspired by his cousin’s heavy metal albums, he first picked up the guitar. (Music is in the family lineage; his father also plays guitar and writes songs, and an uncle, Anthony Doran, is the bassist for platinum-selling band the Blizzards.) After a few years of high-velocity shredding, Peter “became less interested in the speed of the notes, but in their character instead.” In 2006 he released Wood, a rich collection of startlingly mature songs heralded by leading music publication Hot Press as “an admirable debut that should open doors and minds.” In 2009 Peter was contacted by acclaimed Italian producer Filippo Gaetani, who had heard one of the singer-songwriter’s demo tracks online and was eager to collaborate. “Peter has the capability of moving your soul with simple yet profound lyrics, and his vocal tone and melodies are uncommon,” raves Gaetani, who has worked with Andy Bell, Stefano Bollini, and Adrina Thorpe. “He stands among my favorite folk/alternative artists of all time.” After pre-production at Gaetani’s Tuscany studio, recordings were done at Grouse Lodge in Ireland and eventually mastered at London’s legendary Abbey Road Studios. Sleepless Street is the glorious result, a gorgeous, multi-layered work by a gifted artist swiftly gaining ground on the paths of his idols. “I’m trying to develop as I go along, to get better at understanding the songwriting process, at knitting the music together,” explains Peter, who plans to support the release with a full band and solo performances at home and abroad. “If people could get the same sweeping feeling from my music that I get from the music I love, it would be amazing.” With Sleepless Street, Peter Doran’s restless trek continues. Wherever it takes him—and his listeners—is sure to be phenomenal. http://www.myspace.com/peterdoran
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